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        <title>AGP-EDR194021</title>
        <editor>Rebecca Benefiel</editor>
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          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
        </respStmt>
        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Rebecca Benefiel</name>
          <date>2024-09-07</date>
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        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-EDR194021</idno>
        <date>2026</date>
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          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
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            <repository>EDR</repository>
            <idno>EDR194021</idno>
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            <repository>AGP</repository>
            <idno>AGP-EDR194021</idno>
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                  <rs type="execution">Graffito/incised</rs>
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            <origin>
              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/433032">Pompeii</placeName>
              </origPlace>
              <origDate notBefore-custom="0001" notAfter-custom="0079" evidence="archaeological_context" datingMethod="#julian">1-79 C.E.</origDate>
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            <provenance type="found">
              <placeName ref="ancientgraffiti.org/Graffiti/properties/Pompeii/VI.16/7">Pompeii, Insula VI.16.7, Casa degli Amorini Dorati</placeName>
              Pompei (Napoli), Regio VI.16.7, Casa degli Amorini Dorati
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      <div type="edition" xml:space="preserve" xml:lang="la"><ab><lb n="1" />sic Cotini voto <space /> <choice><reg>post</reg><orig>pos</orig></choice> fata novissima</ab></div>
      <div type="apparatus">
        <p>Textus secundum (2), mensurae secundum (15). Contulerunt A.Brancale, N. Li, J. Wang, A. Mincuzzi a. 2024 (AGP).&lt;br&gt;v. 1: Tit. ex duabus partibus constare videtur, SIC... VOTO et POS... NOVISSIMA (inter quas certo intervallo in tectorio patente) (2)&lt;br&gt;v. 1: POS FATA lectio certa (2), et pos(t) fata intellegendum est (2)(13)&lt;br&gt;v. 1: COTINI cognomen viri repraesentare videtur (2)&lt;br&gt;v. 1: FATA NOVISSIMA revocat Ov. met. 13, 478: pertulit intrepidos ad fata novissima vultus.  POST FATA invenitur etiam in Verg. Aen. 4.20 (post fata Sychaei), CLE 256 &amp; CLE 1848. &lt;br&gt;Quid FATA NOVISSIMA significet, prorsus incertum; cogitari potest de eventu nobis ignoto, fortasse ex quodam carmine deperdito extracto. (2)</p>
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      <div type="bibliography">
        <p>CIL 04, 06820 con apografo (1), cf. p. 1898 (2)&lt;br&gt;CLE 1940 (3)&lt;br&gt;Historia, vol. 8, 1934, pp. 359-363 con apografo (M. Della Corte) = AE 1935, infra nr. 106 (4)&lt;br&gt;In memoria lui Vasile Pârvan, p. 99-102, con apografo nr. 2 (M. Della Corte) (5)&lt;br&gt;Journal of Ecclesiastical History, vol. 2, Cambridge 1951, p. 9 (D. Atkinson) (6)&lt;br&gt;M. Della Corte, Case ed abitanti di Pompei, p. 80, nr. 105 (7)&lt;br&gt;A. Varone, Presenze Giudaiche e Cristiane a Pompei, Naples 1979, pp. 44-51 (8)&lt;br&gt;Studia Philologica Valentina, vol. 11, 2008, p. 92, nr. 29 (P. Cugusi) (11)&lt;br&gt;Unexpected Voices, Stockholm 2008, p. 130 (A. Varone) (12)&lt;br&gt;K. Milnor, Graffiti and the Literary Landscape in Roman Pompeii, New York 2014, pp. 179, 254, con traduzione in inglese (13)&lt;br&gt;P. Lohmann, Graffiti als Interaktionsform, Berlin 2018, pp. 202, 381, 421 con foto ed apografo (14)&lt;br&gt;http://ancientgraffiti.org/Graffiti/graffito/AGP-EDR194021 (15)</p>
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        <p />
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