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        <title>AGP-SMYD00221</title>
        <editor>Roger S. Bagnall</editor>
        <respStmt>
          <resp>Encoded in XML from original publication</resp>
          <name>Tom Elliott</name>
          <name>David M. Ratzan</name>
          <name>Patrick J. Burns</name>
          <name>Georgios Tsolakis</name>
        </respStmt>
        <respStmt>
          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
        </respStmt>
        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Roger S. Bagnall</name>
          <date>2016-10-03</date>
        </respStmt>
      </titleStmt>
      <publicationStmt>
        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-SMYD00221</idno>
        <date>2026</date>
        <availability>
          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
        </availability>
      </publicationStmt>
      <sourceDesc>
        <bibl>
          <name>R.S. Bagnall</name>
          <name>R. Casagrande-Kim</name>
          <name>A. Ersoy</name>
          <name>C. Tanriver</name>
          <name>B. Yolaçan</name>
          <title level="m">Graffiti from the Basilica in the Agora of Smyrna</title>
          <publisher>First published by the Institute for the Study of the Ancient World and the New York University Press, 2016.</publisher>
          <pubPlace>New York</pubPlace>
          <date>2016</date>
        </bibl>
        <msDesc>
          <msIdentifier>
            <repository>EDR</repository>
            <idno>SMYD00221</idno>
          </msIdentifier>
          <msIdentifier>
            <repository>AGP</repository>
            <idno>AGP-SMYD00221</idno>
          </msIdentifier>
          <physDesc>
            <objectDesc>
              <supportDesc>
                <support />
              </supportDesc>
              <layoutDesc>
                <layout>
                  Charcoal Dimensions:
                  <dimensions>
                    <height unit="centimeter">15.5</height>
                    <width unit="centimeter">13.5</width>
                  </dimensions>
                </layout>
              </layoutDesc>
            </objectDesc>
            <handDesc />
            <decoDesc>
              <decoNote xml:lang="la">((:caput hominis ad sin.))</decoNote>
              <decoNote xml:lang="en">head of a person facing left</decoNote>
            </decoDesc>
          </physDesc>
          <history>
            <origin>
              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/550771">Smyrna</placeName>
              </origPlace>
              <origDate notBefore-custom="0180" notAfter-custom="0300" datingMethod="#julian">0180-0300 C.E.</origDate>
            </origin>
            <provenance type="found">
              <placeName ref="ancientgraffiti.org/Graffiti/properties/Smyrna/Agora/1">Basilica of the Agora of Smyrna, Izmir, Turkey</placeName>
            </provenance>
          </history>
        </msDesc>
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    </fileDesc>
    <profileDesc>
      <calendarDesc>
        <calendar xml:id="julian">
          <p>Julian calendar</p>
        </calendar>
      </calendarDesc>
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      <div type="edition" xml:space="preserve"><ab /></div>
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        <p />
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        <p />
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      <div type="commentary">
        <p>Dipinto of a human bust, located in the western half of the back wall of Bay 22, toward the middle. The head, possibly of a female, is drawn in profile toward the left, and the bust is cut short right below the shoulders. The figure has an up hairdo consistent with late second century fashion: in the front the hair is wavy and descends to cover the forehead, while at the back the hairs are gathered together in a bun fastened with a fillet. The woman in the graffito is depicted with a rather long, “Roman” nose, thick and protruding lips, and round and prominent chin. The large, almond-shaped eye, positioned near the hair line, is completed with eyelashes and a pupil which is turned to look directly at the viewer. Similar hairstyles are attested on portraits of Faustina the Younger, like the one at Musei Capitolini in Rome dated to 147–148, or of Bruttia Crispina, like the head at the Altes Museum, Berlin, dated to 178–180. Basic information on portraits of these two Roman queens can be found in Kleiner 1992: 277–80.</p>
      </div>
      <div type="bibliography">
        <p>Bagnall, R. S. et al., Graffiti from the Basilica in the Agora of Smyrna (2016): 229.</p>
      </div>
      <div type="summary">
        <p>Portrait / Drawing of a face</p>
      </div>
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