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        <title>AGP-SMYD00271</title>
        <editor>Roger S. Bagnall</editor>
        <respStmt>
          <resp>Encoded in XML from original publication</resp>
          <name>Tom Elliott</name>
          <name>David M. Ratzan</name>
          <name>Patrick J. Burns</name>
          <name>Georgios Tsolakis</name>
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          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
        </respStmt>
        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Roger S. Bagnall</name>
          <date>2016-10-03</date>
        </respStmt>
      </titleStmt>
      <publicationStmt>
        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-SMYD00271</idno>
        <date>2026</date>
        <availability>
          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
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      <sourceDesc>
        <bibl>
          <name>R.S. Bagnall</name>
          <name>R. Casagrande-Kim</name>
          <name>A. Ersoy</name>
          <name>C. Tanriver</name>
          <name>B. Yolaçan</name>
          <title level="m">Graffiti from the Basilica in the Agora of Smyrna</title>
          <publisher>First published by the Institute for the Study of the Ancient World and the New York University Press, 2016.</publisher>
          <pubPlace>New York</pubPlace>
          <date>2016</date>
        </bibl>
        <msDesc>
          <msIdentifier>
            <repository>EDR</repository>
            <idno>SMYD00271</idno>
          </msIdentifier>
          <msIdentifier>
            <repository>AGP</repository>
            <idno>AGP-SMYD00271</idno>
          </msIdentifier>
          <physDesc>
            <objectDesc>
              <supportDesc>
                <support />
              </supportDesc>
              <layoutDesc>
                <layout>
                  Charcoal Upper dimensions:
                  <dimensions>
                    <height unit="centimeter">104</height>
                    <width unit="centimeter">89</width>
                  </dimensions>
                  Lower dimensions:  26 100
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              </layoutDesc>
            </objectDesc>
            <handDesc />
            <decoDesc>
              <decoNote xml:lang="la">((:naves))</decoNote>
              <decoNote xml:lang="en">boats</decoNote>
            </decoDesc>
          </physDesc>
          <history>
            <origin>
              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/550771">Smyrna</placeName>
              </origPlace>
              <origDate notBefore-custom="0180" notAfter-custom="0300" datingMethod="#julian">0180-0300 C.E.</origDate>
            </origin>
            <provenance type="found">
              <placeName ref="ancientgraffiti.org/Graffiti/properties/Smyrna/Agora/1">Basilica of the Agora of Smyrna, Izmir, Turkey</placeName>
            </provenance>
          </history>
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        <calendar xml:id="julian">
          <p>Julian calendar</p>
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        <p>Dipinto of two superimposed ships, located at the center of the back wall of Bay 27. The two vessels have similar shapes and sizes. The lower vessel seems to have been drawn after the upper one. The two ships, drawn as sailing on starboard tack, have flat keels, rounded prows, and sharply diagonal sterns. They are both medium to small vessels for transport of passengers or goods (i.e., phaseli). 
The upper vessel was drawn in at least two phases. In the first one the aplustre was notably longer, similar in shape to the later, and shorter, one. A faded line near this element suggests that the original sails extended to this point. A large and straight mast at the center of the bulwark, belonging to the second phase, has now almost completely disappeared, along with the lines of the cordage, mostly καλῴδια and one πρότονος, which are very faded. A large eye visible right above the bulwark of the upper ship is to be intended as decoration of the sail. In this second phase the aplustre and στόλος became identical in shape, both depicted as short inverted triangles. 
This first ship seems to relate to the text T27.1. 
The lower and later vessel’s stern is not completely preserved, while at the prow is recognizable a rounded στόλος pointing inward. No mast, yard, sails or oars are identifiable for this second ship.</p>
      </div>
      <div type="bibliography">
        <p>Bagnall, R. S. et al., Graffiti from the Basilica in the Agora of Smyrna (2016): 268.</p>
      </div>
      <div type="summary">
        <p>Drawing of a boat</p>
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