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        <title>AGP-SMYD00285</title>
        <editor>Roger S. Bagnall</editor>
        <respStmt>
          <resp>Encoded in XML from original publication</resp>
          <name>Tom Elliott</name>
          <name>David M. Ratzan</name>
          <name>Patrick J. Burns</name>
          <name>Georgios Tsolakis</name>
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          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
        </respStmt>
        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Roger S. Bagnall</name>
          <date>2016-10-03</date>
        </respStmt>
      </titleStmt>
      <publicationStmt>
        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-SMYD00285</idno>
        <date>2026</date>
        <availability>
          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
        </availability>
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      <sourceDesc>
        <bibl>
          <name>R.S. Bagnall</name>
          <name>R. Casagrande-Kim</name>
          <name>A. Ersoy</name>
          <name>C. Tanriver</name>
          <name>B. Yolaçan</name>
          <title level="m">Graffiti from the Basilica in the Agora of Smyrna</title>
          <publisher>First published by the Institute for the Study of the Ancient World and the New York University Press, 2016.</publisher>
          <pubPlace>New York</pubPlace>
          <date>2016</date>
        </bibl>
        <msDesc>
          <msIdentifier>
            <repository>EDR</repository>
            <idno>SMYD00285</idno>
          </msIdentifier>
          <msIdentifier>
            <repository>AGP</repository>
            <idno>AGP-SMYD00285</idno>
          </msIdentifier>
          <physDesc>
            <objectDesc>
              <supportDesc>
                <support />
              </supportDesc>
              <layoutDesc>
                <layout>
                  Charcoal Dimensions:
                  <dimensions>
                    <height unit="centimeter">34</height>
                    <width unit="centimeter">38</width>
                  </dimensions>
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            </objectDesc>
            <handDesc />
            <decoDesc>
              <decoNote xml:lang="la">((:certamen gladiatorum))</decoNote>
              <decoNote xml:lang="en">gladiator combat</decoNote>
            </decoDesc>
          </physDesc>
          <history>
            <origin>
              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/550771">Smyrna</placeName>
              </origPlace>
              <origDate notBefore-custom="0180" notAfter-custom="0300" datingMethod="#julian">0180-0300 C.E.</origDate>
            </origin>
            <provenance type="found">
              <placeName ref="ancientgraffiti.org/Graffiti/properties/Smyrna/Agora/1">Basilica of the Agora of Smyrna, Izmir, Turkey</placeName>
            </provenance>
          </history>
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      <calendarDesc>
        <calendar xml:id="julian">
          <p>Julian calendar</p>
        </calendar>
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        <p>Dipinto of three fighting gladiators, located in the upper half of the back wall of Bay 28, toward the middle. They are all provocatores. At the scene’s bottom, toward the left, is a gladiator drawn from behind (height 16.5 cm, width 7 cm). His figure is the most schematic: he is striding forward with his right leg advanced. The shield covers most of his body. Notable is the helmet: plain and tight over the head, it is depicted with a long crescent-shaped flange descending over the neck and shoulders. At the top left corner of the scene is a second gladiator, the best preserved of the three (height 12 cm, width 7 cm). He is thrusting forward, the body in three quarter and oriented toward the viewer, with his right leg advanced. The helmet has a broad visor and rounded flange covering neck and shoulders. The rectangular shield covers most of his body. His right arm appears to the side of the shield. The man holds in this hand a short, straight blade. Of the third gladiator, to the bottom right, only an arm with a hand holding a short sword is visible. The rest is faded or was deleted when concentric lines where drawn over the whole scene. 
A close comparison may be found in a graffito from Ephesos, dated to the Late Antique period, from a domestic context (Langner 2001: no. 788).</p>
      </div>
      <div type="bibliography">
        <p>Bagnall, R. S. et al., Graffiti from the Basilica in the Agora of Smyrna (2016): 282.&lt;br/&gt;                Langner, M. 2001. Antike Graffitizeichnungen. Motive, Gestaltung, und Bedeutung. Palilia, 11. Wiesbaden: no. 788.</p>
      </div>
      <div type="summary">
        <p>Drawing of gladiatorial combat</p>
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