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        <title>AGP-SMYDP1004</title>
        <editor>Roger S. Bagnall</editor>
        <respStmt>
          <resp>Encoded in XML from original publication</resp>
          <name>Tom Elliott</name>
          <name>David M. Ratzan</name>
          <name>Patrick J. Burns</name>
          <name>Georgios Tsolakis</name>
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        <respStmt>
          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
        </respStmt>
        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Roger S. Bagnall</name>
          <date>2016-10-03</date>
        </respStmt>
      </titleStmt>
      <publicationStmt>
        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-SMYDP1004</idno>
        <date>2026</date>
        <availability>
          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
        </availability>
      </publicationStmt>
      <sourceDesc>
        <bibl>
          <name>R.S. Bagnall</name>
          <name>R. Casagrande-Kim</name>
          <name>A. Ersoy</name>
          <name>C. Tanriver</name>
          <name>B. Yolaçan</name>
          <title level="m">Graffiti from the Basilica in the Agora of Smyrna</title>
          <publisher>First published by the Institute for the Study of the Ancient World and the New York University Press, 2016.</publisher>
          <pubPlace>New York</pubPlace>
          <date>2016</date>
        </bibl>
        <msDesc>
          <msIdentifier>
            <repository>EDR</repository>
            <idno>SMYDP1004</idno>
          </msIdentifier>
          <msIdentifier>
            <repository>AGP</repository>
            <idno>AGP-SMYDP1004</idno>
          </msIdentifier>
          <physDesc>
            <objectDesc>
              <supportDesc>
                <support />
              </supportDesc>
              <layoutDesc>
                <layout>
                  Charcoal Dimensions:
                  <dimensions>
                    <height unit="centimeter">28</height>
                    <width unit="centimeter">47</width>
                  </dimensions>
                </layout>
              </layoutDesc>
            </objectDesc>
            <handDesc />
            <decoDesc>
              <decoNote xml:lang="la">((:navis))</decoNote>
              <decoNote xml:lang="en">boat</decoNote>
            </decoDesc>
          </physDesc>
          <history>
            <origin>
              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/550771">Smyrna</placeName>
              </origPlace>
              <origDate notBefore-custom="0180" notAfter-custom="0300" datingMethod="#julian">0180-0300 C.E.</origDate>
            </origin>
            <provenance type="found">
              <placeName ref="ancientgraffiti.org/Graffiti/properties/Smyrna/Agora/1">Basilica of the Agora of Smyrna, Izmir, Turkey</placeName>
            </provenance>
          </history>
        </msDesc>
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        <calendar xml:id="julian">
          <p>Julian calendar</p>
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      <div type="commentary">
        <p>Very faded dipinto of a ship, located on the eastern face of Pier A100. The ship, sailing on starboard tack, has a strongly rockered keel and a rounded bulwark that is probably topped by a second deck. The raised stern culminates in a bulbous aplustre. Right below it, a short diagonal line indicates the presence of a stylized rudder. The raised prow is very poorly preserved. The central mast is rendered in a single vertical line. Two diagonal lines depart from the mast’s top, connecting it to the ship’s extremities (πρότονοι). A third diagonal line connects the mast to the side of the ship. The area around the mast, where the sail must have been, is very faded, and the remaining ink is smudged so it is impossible to recognize the sail’s shape. No oars are visible.</p>
      </div>
      <div type="bibliography">
        <p>Bagnall, R. S. et al., Graffiti from the Basilica in the Agora of Smyrna (2016): 435.</p>
      </div>
      <div type="summary">
        <p>Drawing of a boat</p>
      </div>
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